מדריך פרומפטים ל-Runway Gen-4 — המדריך המלא

Close-up shot. A woman in her 30s slowly turns her head toward the camera, soft smile forming. Slow dolly in. Warm golden hour sunlight wrapping around her face, shallow depth of field with bokeh in the background. Cinematic film grain, natural skin tones.

Wide establishing shot. Aerial view of a neon-lit cyberpunk city at night. Slow crane shot descending between skyscrapers. Flying cars streaming through the air, holographic billboards flickering. Rain-slicked streets reflecting neon colors. Blade Runner aesthetic, anamorphic lens flare.

Medium shot, side angle. A parkour athlete launches off a concrete wall, spinning mid-air in slow motion. Tracking shot following the movement. Urban rooftop environment, dust particles catching sunlight. High contrast, desaturated tones, 120fps slow motion feel.

Extreme close-up. Rich dark chocolate being poured slowly over a layered cake, viscous flow catching studio light. Static camera. Steam rising gently. Black marble surface, single spotlight from above, deep shadows. Commercial food photography style, 4K sharp.

Wide shot: Rapid tracking shot chases a matte-black muscle car drifting through a rain-slicked Tokyo alley at night, tires spraying arcs of water against neon-lit storefronts. The car slides sideways through a tight corner, headlights cutting through steam rising from grates. Whip pan reveals a pursuing motorcycle weaving between parked cars. Anamorphic lens flares streak across the frame. Michael Mann night-city palette, urgent energy.

Extreme close-up: Slow push-in on a woman's face half-lit by a single flickering candle, tears tracing down her left cheek catching the warm light. Her jaw trembles, eyes glistening, lashes heavy with moisture. Shallow depth of field dissolves the dark bedroom behind her into soft amber bokeh. A slight handheld drift adds intimacy. Bergman-inspired chiaroscuro, 85mm portrait lens, devastating stillness.

Aerial shot: Crane down following a golden eagle soaring over a vast red-rock canyon at sunrise, wings fully extended catching thermal updrafts. The bird banks right, tilting into a sweeping dive along the cliff face as morning mist curls through the gorge below. Long shadows stretch across striated sandstone walls. Shot on 35mm, Terrence Malick golden hour warmth, breathtaking scale.

Medium shot: Slow dolly circles a flamenco dancer mid-zapateado, her crimson dress whipping in a controlled spiral as her heels strike the wooden stage with percussive precision. Arms sweep overhead in a dramatic arch, fingers snapping. Dust particles float through a single harsh spotlight beam cutting through surrounding darkness. Anamorphic 2.0x, De Palma theatrical staging, raw intensity.

Low angle shot: Static camera at street level captures torrential rain hammering a Manhattan crosswalk at twilight, yellow taxi cabs crawling through deep puddles sending spray against the lens. Pedestrians sprint under black umbrellas, reflections of Broadway marquees ripple across the flooded asphalt. Steam pours from a subway grate. Gordon Willis available-light aesthetic, melancholic urban poetry.

Close-up: Static shot captures a chef tilting a copper pan over a roaring gas flame as cognac ignites in a dramatic flambe, fire erupting upward in a controlled column of blue and orange. The flame reflects off stainless steel counters and the chef's focused face. Wisps of aromatic smoke curl into the warm overhead light. 50mm lens, documentary kitchen aesthetic, visceral heat.

Wide shot: Slow tilt up as a weathered silver spacecraft lifts off from a barren alien plateau, thrusters blasting twin columns of blue fire that scorch the cracked earth below. Dust and debris spiral outward in expanding rings. The ship rises through a thin amber atmosphere, hull catching the light of a distant binary star. Villeneuve-scale grandeur, IMAX clarity, 24mm anamorphic.

Medium shot: Slow dolly backward as a model strides confidently down a glossy white runway, wearing an architectural silver gown that catches strobing flashbulbs from the audience. Her expression is composed and sharp, chin slightly elevated. The fabric ripples with each deliberate step. Shallow depth of field blurs the seated crowd into warm golden bokeh. 85mm lens, high-fashion editorial precision.

Wide shot: Static camera mounted on a cliff edge captures massive storm waves slamming into jagged basalt rocks, sending explosions of white spray thirty feet into the grey sky. Wind tears the spray into horizontal streaks. Dark green water churns and pulls back, exposing barnacle-covered stone before the next wave hits. Overcast diffused light, telephoto compression, raw elemental power.

Tracking shot: Steadicam follows a barefoot boy sprinting through towering sunflowers at golden hour, his outstretched hands brushing the yellow petals as he runs. Pollen drifts in the warm backlight. The camera keeps pace at his shoulder height, sunflowers parting around him. Lens flares peek through the stalks. 35mm lens, Malick-inspired wonder, joyful kinetic energy.

Medium shot: Slow dolly inward as a sushi chef in a pristine white uniform slices sashimi with deliberate strokes at a hinoki counter, fish glistening under a single warm overhead practical. The camera settles on a close-up of the knife contacting the fish, then pulls back to the full counter as he lifts a piece onto a dish. Audio: Dialogue: None. SFX: "clean knife blade on hinoki wood, rhythmic, precise", "soft wooden tray set down on counter." Ambient: "quiet restaurant murmur, soft ventilation hum." Music: "sparse Japanese koto, slow tempo, contemplative."

Multi-shot sequence across seasons — all from the same fixed wide angle looking up through the canopy of a cherry tree in a city park. Scene 1 (0-15s): Bare winter branches against a pale grey sky, occasional snowflakes drifting. Scene 2 (15-30s): Early spring — pale pink buds beginning to open on the tips of branches, soft morning light. Scene 3 (30-45s): Full bloom — canopy exploded in deep pink blossoms, petals drifting through golden sunlight, pedestrians visible below. Scene 4 (45-60s): Late summer — dense green leaves, dappled light, children playing beneath in warm afternoon shade. Audio: Dialogue: None. SFX: "winter wind through bare branches", "spring birdsong emerging", "summer park ambience, distant laughter." Ambient: "seasonal transition — each scene's natural environment layer." Music: "slow minimalist piano, cycling through four quiet phrases matching each seasonal shift."

Macro shot: Impossibly smooth orbit around a crystal perfume bottle on black velvet, golden liquid catching a single focused beam of light that splits into prismatic refractions on the dark surface. A woman's hand enters frame with lacquered nails and lifts the bottle, tilting it so the light dances through the faceted glass. Slow rack focus to her lips as she applies a touch to her wrist. Fincher-level precision, aspirational luxury.

Medium wide shot: Slow pan follows a lone swordsman practicing precise kata movements in a misty bamboo clearing at dawn. His blade arcs through the fog, leaving visible trails in the heavy air. Each movement is deliberate and controlled, feet shifting on wet stone. Pale diffused light wraps around his silhouette. 50mm lens, Kurosawa-inspired composition, meditative discipline.

Wide shot: Slow dolly forward into a sunlit minimalist living room with floor-to-ceiling windows overlooking a forested hillside. Morning light sweeps across a white sectional sofa and polished concrete floor. Dust motes drift through the golden beams. A single potted monstera casts geometric shadows on the wall. The camera settles into a composed frame. 28mm lens, architectural digest elegance, serene stillness.