מדריך פרומפטים ל-Sora 2: סטוריבורד קולנועי

Scene: A cozy Parisian café on a rainy afternoon. Warm interior, condensation on windows, vintage espresso machine on the counter. Cinematography: Close-up, slowly pulling back to medium shot. Shallow depth of field. Actions: A woman in her 40s STARES at an unopened letter on the table. She REACHES for it, HESITATES, then PICKS it up with trembling hands. She TEARS open the envelope. Dialogue: She whispers under her breath: "Finally..." Color palette: warm amber, cream white, rain gray, aged paper yellow.

Scene: The bridge of a massive spaceship. Holographic star maps floating in the air, crew stations with glowing interfaces. Cinematography: Wide establishing shot, slow orbital camera move around the captain's chair. Actions: The captain STANDS from her chair, WALKS toward the main viewport. She RAISES her hand and the holographic map ZOOMS into a distant planet. Color palette: deep space blue, hologram cyan, warm bridge amber, alert red accent.

Scene: Underground jazz club, exposed brick walls, single spotlight on stage, cigarette smoke drifting. Cinematography: Medium shot from audience perspective, subtle handheld sway. Actions: A pianist CLOSES his eyes, TAKES a deep breath, then BEGINS playing. His fingers DANCE across the keys with intensity. The audience LEANS in. Dialogue: A voice from the crowd: "This is the one they'll remember." Color palette: smoky amber, deep shadow black, spotlight warm white, brick red.

A battered silver spacecraft with glowing blue thrusters descends through a swirling orange atmosphere toward an alien landscape of dark obsidian plains and towering crystalline formations. The pilot, a woman with close-cropped auburn hair, wearing a grey flight suit with mission patches, visor raised, grips the controls. Duration: 12s. Cinematography: Camera shot: 50mm lens, begins inside cockpit over the pilot's shoulder, then cuts to wide exterior as the ship breaks through the cloud layer Mood: Tense wonder Actions: - Ship rattles as it hits turbulence in the first three seconds, cockpit instruments flashing amber warnings - Pilot adjusts a lever with her right hand while bracing against the seat with her left - Ship punches through the clouds at six seconds revealing the alien vista, thrusters firing blue cones of light - Landing struts deploy as the ship settles onto the dark surface, kicking up swirls of iridescent dust Lighting: Orange atmospheric glow from above, blue thruster light from below, cockpit lit by green and amber instrument panels; palette: burnt orange, cobalt blue, obsidian black, silver. Style: Anamorphic 2.0x, Villeneuve-scale grandeur, practical-feeling VFX, IMAX clarity.

A warm sunlit kitchen with butcher-block counters and white subway tile backsplash. A father in his mid-30s, tall, dark beard, rolled-up flannel sleeves, stands beside his 5-year-old daughter who has curly blonde hair, a pink apron dusted with flour, and stands on a wooden step stool. Duration: 8s. Cinematography: Camera shot: 35mm lens, eye-level medium shot, gentle handheld sway Mood: Warm, joyful, intimate Actions: - Father cracks an egg one-handed into a mixing bowl while daughter watches with wide eyes in the first two seconds - She plunges both hands into the flour bag and tosses a cloud upward, white powder floating everywhere - Father turns to her with mock surprise, mouth open, then breaks into laughter, flour settling on his beard - She giggles and claps her flour-covered hands together creating a small puff Dialogue: Daughter: "Daddy, look, it's snowing!" Father: (laughing) "Inside snow, huh? Your grandma is going to love this mess." Lighting: Soft morning window light from the right, warm fill from overhead pendant lamp; palette: cream, honey gold, soft white, blush pink. Style: 35mm film stock texture, A24 domestic intimacy, shallow DOF on the daughter's face.

A pod of six bottlenose dolphins races alongside a weathered wooden fishing boat cutting through deep turquoise Mediterranean waters. The late afternoon sun hangs low, casting a wide golden path across gentle swells. A young fisherman in a sun-bleached blue shirt leans over the railing watching. Duration: 8s. Cinematography: Camera shot: 85mm telephoto, tracking shot from the boat's stern keeping dolphins in mid-frame, slight handheld movement from the boat's motion Mood: Exhilarating freedom Actions: - Lead dolphin breaches fully out of the water in the first two seconds, body arcing in a perfect crescent, droplets spraying in slow motion - Two more dolphins leap in staggered sequence, water cascading off their sleek grey bodies - Fisherman points excitedly and turns toward camera with an astonished grin - Final dolphin performs a spinning leap, sunlight catching the spray like scattered diamonds Lighting: Low golden backlight through water spray creating rim-lit silhouettes, deep blue-green water reflecting sky; palette: turquoise, gold, silver, weathered blue. Style: National Geographic cinematic grade, Attenborough-era nature documentary beauty, 85mm compression.

A recording studio with dark acoustic panels and warm amber mood lighting. A young Black woman with long braided hair, gold hoop earrings, and a vintage burgundy leather jacket stands before a Neumann U87 microphone, eyes closed, large headphones on. Duration: 8s. Cinematography: Camera shot: 50mm anamorphic, slow push-in from medium to medium close-up, shallow DOF Mood: Raw emotional intensity Actions: - She opens her eyes slowly in the first second, inhales deeply, shoulders rising - Begins singing at two seconds, leaning slightly toward the microphone, right hand rising to the headphone cup - At five seconds she pulls back from the mic and belts a powerful note, chin lifting, tendons visible in her neck - Control room glass in the background reveals the producer leaning forward with both hands on the console Dialogue: Singer: (singing, soulful and building) "I been holding on so long, my hands don't know how to let go..." Lighting: Warm amber from a desk lamp stage-left, cool blue monitor glow from the control room behind glass, red recording light glowing above the door; palette: burgundy, amber, midnight blue, gold. Style: Anamorphic bokeh, intimate music documentary feel, grain and warmth of Kodak Vision3 500T.

A luxury watch with a midnight-blue dial and polished steel bracelet rests on a dark slate surface beside a crystal glass of whiskey. Water droplets bead on the watch crystal, catching light. Behind, a floor-to-ceiling window reveals a nighttime cityscape. Duration: 8s. Cinematography: Camera shot: 100mm macro, impossibly smooth orbit around the watch face, rack focus between watch and city lights Mood: Aspirational elegance Actions: - Camera begins tight on the watch dial, second hand sweeping past the twelve marker in the first two seconds - Slow orbit reveals the bracelet links catching light, each facet sparking a tiny flare - At four seconds, a man's hand enters frame and lifts the watch with precise, unhurried fingers - He turns it once, light playing across the bezel, then fastens it to his wrist with a satisfying click Lighting: Single overhead spotlight on the watch with dramatic falloff, warm amber from the whiskey, cool blue city glow from the window; palette: midnight blue, brushed silver, amber, deep charcoal. Style: Fincher-level product photography precision, anamorphic flare on highlights, 4K razor sharpness.

A narrow cobblestone street in the Latin Quarter of Paris, late afternoon. A street magician, a man in his late 20s with sharp dark eyes, a fitted black vest over a white henley, sleeves rolled to the elbows, silver rings on his fingers, stands before a small crowd. Duration: 10s. Cinematography: Camera shot: 50mm, starts at medium shot, pushes to close-up on hands at the climax Mood: Playful mystery Actions: - Magician fans a deck of cards between both hands in the first two seconds, cards spreading in a perfect arc, each one catching the light - At three seconds he invites a woman from the crowd to pick a card, she reaches forward tentatively - He shuffles the deck with a cascade flourish at five seconds, cards waterfalling between hands - At eight seconds he slaps the deck on the table and flips the top card, her card, as the crowd erupts, the woman's hands flying to her mouth Dialogue: Magician: "Now watch very carefully, the card doesn't choose you, you choose the card." Woman: (gasping) "No way... that's impossible!" Lighting: Warm golden hour light raking down the narrow street, soft shadows from awnings, Parisian storefronts glowing in background; palette: warm stone, ivory, charcoal, gold. Style: Handheld intimacy, Linklater-style street realism, 35mm grain, available light only.

A vast underground cavern filled with mountains of ancient gold coins, jeweled goblets, and rusted swords. In the center, a colossal dragon, emerald scales the size of shields, horns like gnarled oak branches, a ridge of spines running down its back, lies coiled in sleep. Its belly glows faintly from internal fire. Duration: 12s. Cinematography: Camera shot: Wide establishing shot on 24mm, slowly pushing in toward the dragon's massive head Mood: Ancient, ominous dread Actions: - A single gold coin tumbles down a treasure pile in the first two seconds, the tiny metallic clink echoing through the cavern - The dragon's nostril twitches at three seconds, a curl of smoke escaping - At five seconds one enormous amber eye snaps open, the vertical slit pupil dilating as it focuses - The dragon raises its head at eight seconds, coins cascading off its neck, a deep rumbling growl vibrating the gold piles into small avalanches - At ten seconds it opens its jaws revealing rows of obsidian teeth and a glow building deep in its throat Lighting: Faint amber glow from the dragon's internal fire illuminating the gold, cool blue mineral light from bioluminescent cave crystals above; palette: emerald green, molten gold, obsidian black, amber. Style: Peter Jackson epic scale, 65mm IMAX, VFX-heavy with practical weight, deep Dolby contrast.

A country estate garden where an outdoor wedding reception continues despite sudden rain. A wedding photographer, a woman in her 30s with a pixie cut, wearing a dark blazer with camera straps crossed over her chest, Canon R5 in hand, moves through the chaos. Duration: 10s. Cinematography: Camera shot: 35mm, medium shot tracking the photographer, shallow DOF Mood: Romantic chaos, beautiful imperfection Actions: - Guests scatter from the long banquet table in the first two seconds, grabbing napkins and champagne flutes, laughing - The photographer drops to one knee at three seconds, framing the bride and groom who have stayed at the table, rain streaming down their faces as they laugh - At five seconds she fires a burst of shots, the flash illuminating raindrops frozen in mid-air - The bride grabs the groom's face and kisses him at seven seconds, rain soaking them both, the photographer circling them for the shot Dialogue: Bride: (laughing through rain) "This is perfect, this is actually perfect!" Photographer: "Don't stop, don't stop, that's the cover shot!" Lighting: Overcast grey sky with warm string lights glowing along the table, camera flash creating staccato highlights on rain; palette: ivory, sage green, warm gold, storm grey. Style: Documentary wedding film aesthetic, Robert Richardson natural light sensibility, beautiful chaos.

A sterile white surgical suite in a futuristic hospital. A humanoid robot surgeon, matte white chassis with articulated surgical arms ending in micro-tool fingers, a single blue optical sensor as its "eye", stands over a patient on a hovering surgical table. Holographic displays float around the operating field. Duration: 10s. Cinematography: Camera shot: 50mm, begins at wide establishing, moves to extreme close-up on the robot's precise instruments Mood: Clinical wonder, unsettling precision Actions: - The robot's optical sensor scans the patient in the first two seconds, a blue laser line tracing the body contour, holographic anatomy appearing above - At three seconds it selects a micro-scalpel from a rotating instrument array with mechanical precision - The robot makes an incision at five seconds, its movements impossibly steady, a magnified hologram showing the work at cellular level - At eight seconds a human surgeon watching from behind glass leans forward and nods slowly, impressed Lighting: Cool clinical white overhead panels, blue holographic glow on the robot's chassis, warm amber observation room behind glass; palette: sterile white, surgical blue, chrome, amber. Style: Ex Machina precision, Kubrickian symmetry, 4K ultra-sharp with shallow DOF on the instruments.

A quiet residential street lined with autumn maple trees dropping red and gold leaves. A boy around 8 years old, dark hair, oversized denim jacket, backpack slung over one shoulder, walks home from school kicking a small rock. Duration: 8s. Cinematography: Camera shot: 35mm, medium shot at the boy's eye level, gentle handheld following from behind Mood: Pure discovery, instant love Actions: - The boy stops mid-kick at the first second, head turning toward a cardboard box beside a lamppost - At two seconds he crouches down and peers inside, a tiny golden retriever puppy looks up at him with huge brown eyes - His mouth falls open at three seconds, then transforms into the widest grin, eyes watering - At five seconds he reaches in with both hands and carefully lifts the puppy, which immediately licks his chin, and the boy dissolves into helpless giggles, pressing the puppy to his chest - He stands at seven seconds, looking around the empty street as if asking permission, then tucks the puppy inside his jacket Dialogue: Boy: (whispering, voice cracking) "Hey... hey little guy. Are you alone? You're coming home with me." Lighting: Warm golden autumn afternoon, long shadows from the maple trees, leaves backlit as they fall; palette: amber, russet red, denim blue, golden retriever gold. Style: Spielberg suburban magic, 35mm Kodak warmth, shallow DOF isolating the boy and puppy from the world.

A concrete basketball court in an industrial neighborhood at dawn. A pair of brand-new neon green running shoes sit on the free-throw line, morning dew beading on the mesh upper. The city skyline is a silhouette behind. Duration: 8s. Cinematography: Camera shot: 100mm macro opening, pulling to 35mm wide as action begins Mood: Electric anticipation, launch energy Actions: - Camera orbits the shoes at ground level in the first three seconds, catching light refracting through dew drops on the sole tread - A runner's foot steps into frame at three seconds, sliding into the right shoe with a satisfying fit - At five seconds both shoes are laced and the runner explodes into a sprint, camera tracking at ankle height, shoes pounding the court with visible impact compression - At seven seconds the runner leaps, shoes catching golden dawn light mid-air, freeze-frame at the apex Lighting: Cool blue pre-dawn shifting to warm golden first light, neon green shoe color popping against grey concrete; palette: neon green, concrete grey, dawn gold, urban steel. Style: Nike commercial grade, slow-motion at 120fps for the sprint, macro-to-action transition, product hero lighting.

A packed concert venue, haze machines filling the air with thick atmosphere. A lead guitarist, a man in his 40s with long grey-streaked hair, worn leather jacket, vintage Fender Stratocaster in sunburst finish, stands center stage in a pool of white spotlight. Duration: 10s. Cinematography: Camera shot: 50mm anamorphic, starts at medium shot, crash-zooms to close-up on fretboard at the solo climax Mood: Transcendent intensity Actions: - He bends a note in the first two seconds, face contorting with effort, left hand vibrato shaking the string - At three seconds his right hand shifts to rapid alternate picking, fingers blurring across the strings, the crowd's hands visible reaching upward - At six seconds he steps to the monitor edge, leans back at a dramatic angle, the spotlight catching sweat on his forehead - At eight seconds he hits the final sustained note, holding the guitar up toward the ceiling, feedback ringing, the crowd erupting Dialogue: (No spoken dialogue, the guitar's wailing solo fills the entire audio space) Lighting: Single harsh white spot from directly above cutting through blue haze, crowd lit by red and purple wash; palette: spotlight white, haze blue, leather brown, guitar sunburst amber. Style: Concert film aesthetic, Scorsese-Shine a Light energy, 35mm pushed stock grain, anamorphic flares through haze.